The Great Box project grew out of an existing partnership with the Haida people that began in September 2009 as part of the ‘Haida Material Culture in UK Museums project’.
As part of this project, 21 delegates from the Haida First Nation travelled to the UK to form an international research network with the Pitt Rivers Museum and the British Museum. During their time in the UK, the delegates handled nearly 800 Haida treasures, and gave carving and weaving demonstrations, public talks, and public dance performances. The project sought to understand the importance of historic collections for indigenous communities, to improve the latter's access to collections, and to learn together about the collections. Most importantly, its goal was to build long-term relationships between Haida people and museums in the UK holding Haida treasures.
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Everything Was Carved from Pitt Rivers Museum on Vimeo.
This video, ‘Everything Was Carved’, features commentary from Haida delegates and Pitt Rivers Museum staff, as well as footage from the handling sessions. It was produced as a teaching tool, with students and source community researchers in mind: it helps convey the breadth of preparations, outcomes, meanings and perspectives inherent in projects of this kind. It can be streamed or downloaded for educational use.
Suitable for: Museum Studies; Indigenous Studies; Anthropology; Material Culture Studies; Education
Directed by Udi Butler. Produced by Laura Peers and Cara Krmpotich. Running length 50 mins.
This is Our Life: Haida material heritage and changing museum practice
The project resulted in a book, This is Our Life: Haida material heritage and changing museum practice (UBC Press, 2013), by Cara Krmpotich and Laura Peers.
Featuring contributions from Haida people – weavers, carvers, language speakers, youth, and Elders – and museum staff – curators, conservators, and collections management staff – who participated in the project, and a rich selection of illustrations, This Is Our Life details the remarkable story of the Haida Project, from the planning to the visit itself and through the years that followed.
This research network was supported by the Leverhulme Trust (International Networks Grant), the John Fell Fund (University of Oxford), the Gwaii Trust, and the Canada Council for the Art.